Digital media – IQ Channels http://iqchannels.com/ Thu, 29 Sep 2022 15:23:36 +0000 en-US hourly 1 https://wordpress.org/?v=5.9.3 https://iqchannels.com/wp-content/uploads/2021/11/profile-140x136.png Digital media – IQ Channels http://iqchannels.com/ 32 32 Audio-Technica, Encompass Digital Media, SES, Shure and Venue Edge Renew Corporate Sponsorships https://iqchannels.com/audio-technica-encompass-digital-media-ses-shure-and-venue-edge-renew-corporate-sponsorships/ Thu, 29 Sep 2022 12:47:00 +0000 https://iqchannels.com/audio-technica-encompass-digital-media-ses-shure-and-venue-edge-renew-corporate-sponsorships/ The Sports Video Group is pleased to announce that Audio-Technica, Encompass Digital Media, SES, Shure and Venue Edge have renewed their corporate sponsorships. Celebrating over 50 years of worldwide audio excellence, Audio-Technica is a leading innovator in transducer technology, renowned for the design and manufacture of microphones, wireless microphones, headphones, mixers and turntables for the […]]]>

The Sports Video Group is pleased to announce that Audio-Technica, Encompass Digital Media, SES, Shure and Venue Edge have renewed their corporate sponsorships.

Celebrating over 50 years of worldwide audio excellence, Audio-Technica is a leading innovator in transducer technology, renowned for the design and manufacture of microphones, wireless microphones, headphones, mixers and turntables for the audio industry.

Encompass is a global technology services company focused on supporting television networks, broadcasters (TV and radio), sports leagues and OTT service providers in delivering their linear/non-linear video and radio content over television, digital and radio platforms. Services include: Channel Broadcast, Global Distribution, OTT/TVE Streaming, Live Events, Disaster Recovery and Radio.

With over 70 satellites in two different orbits, SES’s reach is unlike any other. SES combines a vast intelligent network of satellite and terrestrial infrastructure with cutting-edge expertise to manage and deliver high-performance video and data solutions virtually anywhere on the planet. For more than 30 years, SES’s success has been built on sustainable innovation as the company reliably connects more businesses, communities and government institutions in more places and delivers video content linear and on-demand seamlessly, 24 hours a day.

For more than 90 years, Shure Incorporated has developed best-in-class audio products that deliver high-quality performance, reliability, and value. Shure’s history of innovation and expertise in acoustics, wireless technology, networked audio systems, and digital signal processing enables the company to deliver seamless audio experiences and transparent. Shure’s diverse product line includes world-class wired and wireless microphones, network audio systems and signal processors, conferencing and discussion systems, and award-winning earphones and headsets.

Founded by former ESPN Creative Director and Chief Creative Technology Officer David Saphirstein, Venue Edge draws on his vast experience in sports production, technology and branding to help you better engage with fans in stadiums and arenas across the country.

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Digital media not yet part of new press bill: Anurag Thakur | Latest India News https://iqchannels.com/digital-media-not-yet-part-of-new-press-bill-anurag-thakur-latest-india-news/ Sun, 25 Sep 2022 18:24:39 +0000 https://iqchannels.com/digital-media-not-yet-part-of-new-press-bill-anurag-thakur-latest-india-news/ The government has not yet decided whether to include digital media in the upcoming Press and Periodicals Bill, Information and Broadcasting Minister Anurag Thakur said. The central government has been working on the bill since 2019 to update a colonial-era law overseeing the registration of newspapers and periodicals. “There is no (such) idea so far […]]]>

The government has not yet decided whether to include digital media in the upcoming Press and Periodicals Bill, Information and Broadcasting Minister Anurag Thakur said. The central government has been working on the bill since 2019 to update a colonial-era law overseeing the registration of newspapers and periodicals.

“There is no (such) idea so far to include digital media in the new bill,” Thakur said in an interview with HT on Friday. Stating that the bill is still ongoing, he said such clarity will only emerge after it is introduced. “We won’t know until the bill arrives.”

The Press and Periodicals Registration Bill was first introduced in 2019. The Press and Periodicals Registration Bill, 2022 was listed during the monsoon session of the Parliament, but was not tabled. The new bill will replace the Press and Book Registry Act 1867 (PRB).

Nearly 140,000 newspapers and periodicals are registered under the current law, the minister said. Registration is important/compulsory because it gives a legal status to the newspaper and defines a series of rules and conditions with which it must comply or face sanctions.

The main focus of the new bill will be to increase the ease of doing business and decriminalize previous provisions, Thakur said.

“We believe log registration should be done online rather than going to the deputy commissioner or DM (district magistrate) of the district where there are a lot of steps, come to the DM level first , then at the central level, then again at the DM,” Thakur said.

The ministry was trying to make it easier for newspapers, he said. “The second is that the law dates from 1867, so before independence a printing machine or a printing press can matter a great deal, what will be published and where will it go. Nowadays, this concern is less,” Thakur said.

Speaking about decriminalization, Thakur said it is an important area not only for the ministry but also for the government. “If you look at the changes to the Companies Act, it’s in that direction itself. And the majority of departments and ministries are making such changes to decriminalize the rules,” he said. “Equally, at I&B, we are taking such measures.”

The central government was considering civil penalties in place of the criminal actions provided for in the previous bill, HT reported earlier. “If you as a newspaper haven’t filed statements, should you be sent to jail?” Thakur asked. “As processes move online, it will bring more transparency and have a major impact (on the industry).”

As for online news media, it is covered by the new guidelines on intermediate and digital media introduced by the government in February last year. The guidelines require platforms to appoint grievance officers in cases of over-the-top platforms and digital news media platforms, and institute a three-tier grievance mechanism, at the level of the business and industry with an interministerial committee at its top. It gives the Ministry of Information and Broadcasting powers to withdraw content distributed online.

They further provide for voluntary registration of websites and online news channels, of which almost 3,000 have already shared the required details with the government. The guidelines have been challenged by several stakeholders, including Live Law, the Foundation for Independent Journalism and Quint Digital Media Limited.

If they break the rules, digital news channels and websites can be banned under Section 69(A) of the Computer Law, which allows the government to remove channels that endanger sovereignty and integrity of India or threaten public order.

Since December 2021, the government has blocked almost 94 YouTube channels, 19 social media accounts and 747 URLs for “action against India”. During the monsoon session of parliament, Thakur said the government had “acted strongly against agencies working against the sovereignty of the country by spreading fake news and propaganda on the internet”.

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Developing an Effective Digital Media Presence for Today’s Consumers, Marketing & Advertising News, ET BrandEquity https://iqchannels.com/developing-an-effective-digital-media-presence-for-todays-consumers-marketing-advertising-news-et-brandequity/ Sat, 24 Sep 2022 02:39:00 +0000 https://iqchannels.com/developing-an-effective-digital-media-presence-for-todays-consumers-marketing-advertising-news-et-brandequity/ Representative image (iStock) Jay Rathod According to a Salesforce survey, websites and social media are the most popular search channels, with 85% of consumers researching online before making a purchase. Therefore, organizations must have an effective online strategy to grow and grow. Customer engagement is the cornerstone of any successful business. Businesses need to communicate […]]]>

Representative image (iStock)

Jay Rathod

According to a Salesforce survey, websites and social media are the most popular search channels, with 85% of consumers researching online before making a purchase. Therefore, organizations must have an effective online strategy to grow and grow. Customer engagement is the cornerstone of any successful business. Businesses need to communicate with their customers to stay relevant during this time of uncertainty. Many people, especially in the last ten years, have become accustomed to buying whatever they want online. Gen Z, which accounts for around 40% of global customers, spends a considerable percentage of their time online. Gen Z knows more about technology than any previous generation and has a special affinity for it.

This group of consumers is particularly concerned about sensitive social issues and the environment. Zoomers respect social values ​​more than previous generations when making purchase selections. To successfully attract Zoomers, businesses need to have a supportive digital presence as well as a social conscience. Companies that publicly uphold social principles that align with general consumer sentiment are most appealing to Gen Z. This generational shift, when combined with technological improvements, is changing the consumer scene in ways that cut across all socio-economic levels and extends beyond Gen Z, permeating the entire demographic pyramid. The opportunities facing businesses today are both transformative and daunting.

Impactful online presence:

The majority of Gen Z believe that how you show up online is more important than how you present yourself in person. When 92% of Gen Zers multitask while browsing the web, they’re also more likely to remember the color of a website than the color of someone’s eyes. Seeking a stronger digital presence can allow businesses to connect with a wider audience, which provides brands with the foundation for increased business growth. This could be an opportunity for the brand to increase its engagement with its target audience, build credibility and maintain its reputation. Building an internet presence requires a significant investment, but the benefits to the organization are well worth the time and effort.

Importance of intercommunication:

Engagement is another effective marketing strategy for attracting Gen Z. Zoomers are particularly drawn to information that allows them to interact with others who share their interests. Businesses need to make sure they offer value by providing unique and useful information. Similarly, companies can further engage Gen Z through components such as polls or surveys that demonstrate the brand values ​​their feedback. The social media feedback loop is second nature to Gen Z. They have come to expect it from brands. They want to be heard and have an impact on what a company does. New age consumers expect two-way communication. 44% of Gen Z want to be involved in product design, and 66% believe companies should value their perspective.

Clarity and Accountability:

Clarity and accountability are readily criticized, and digital natives are ready to point them out. They will focus on brands’ false attempts to align with the current cause, then drag them into a misguided attempt to capitalize on people’s empathy. Brand credibility is hugely important to Gen Z. If a company makes a mistake, Zoomers value transparency and accountability. The brand should accept responsibility for the mistake and explain how it will avoid making the same mistake again in the future. Naturally, this is linked to the reliability of the brand, which is essential for Zoomers.

Be funny :

Despite their awareness of socio-economic and environmental issues, Generation Z is also interested in all things pleasant. When it comes to marketing to Zoomers, brands need to be as adventurous, weird and exciting as possible. As their options for spending their digital free time expand, Gen Z is looking for a personal connection and engagement with brands. When communicating with brands on social media, Gen Z expect brands to treat them as if they were friends. When brands personalize interactions with Gen Z, they create opportunities for consumer discovery and long-term customer relationships.

A digital presence provides an ideal platform for a brand to communicate with today’s consumers. It allows them to tell the brand story and stand out from the competition. A company’s digital presence encompasses all online interactions a Gen Z consumer may have with the brand. While this includes the company’s website, it may also involve factors beyond their control, such as mentions on social media about their company and online reviews.

Businesses should consider strengthening all components of their brand online to present themselves in their best light to new-age consumers. This could be an opportunity for the brand to increase its engagement with its target audience, build credibility and maintain its reputation. Building an internet presence is a major undertaking, but the rewards for business are well worth the time and work.

(The author is the founder of Koffeetech Communications.)

Consumers know exactly what they want and are drawn to brands that can identify and meet their needs.

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Medical industry found it easier to fill digital media vacancies in Q2 2022 https://iqchannels.com/medical-industry-found-it-easier-to-fill-digital-media-vacancies-in-q2-2022/ Fri, 23 Sep 2022 14:03:05 +0000 https://iqchannels.com/medical-industry-found-it-easier-to-fill-digital-media-vacancies-in-q2-2022/ Digital media jobs that were closed during the second quarter of 2022 had been online for an average of 30.6 days when they were taken offline. This is down from the equivalent figure a year earlier, indicating that the skill set required for these roles has become easier to find over the past year. Digital […]]]>

Digital media jobs that were closed during the second quarter of 2022 had been online for an average of 30.6 days when they were taken offline.

This is down from the equivalent figure a year earlier, indicating that the skill set required for these roles has become easier to find over the past year.

Digital media is one of the topics that GlobalData, our parent company and from which the data for this article is drawn, has identified as a key disruptive technology force that businesses will face in the years to come. Companies that excel and invest in these areas are now seen as better prepared for the future business landscape and better equipped to weather unforeseen challenges.

Regionally, these positions were the hardest to fill in Europe, with related jobs that went offline in Q2 2022 having been online for an average of 41.7 days.

Asia-Pacific was the toughest place to fill these roles, while South and Central America was in third place.

At the other end of the scale, jobs were filled fastest in the Middle East and Africa, with ads going offline after an average of 25 days.

While the medical industry found it easier to fill these positions in the last quarter, these companies also found it easier to recruit digital media jobs than the broader market, with online ads for 10% less time on average compared to similar jobs across all jobs. market.

GlobalData’s job analytics database tracks the daily hiring patterns of thousands of companies around the world, pulling in jobs as they are posted and tagging them with additional layers data on everything from how long each position has been in to whether a job is related to a larger industry. tendencies.

You can follow the latest data from this database as it emerges by visiting our live dashboard here.

Related companies

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Freestyle Digital Media Acquires Documentary “When Claude Got Shot”; Snoop Dogg Executive Producer https://iqchannels.com/freestyle-digital-media-acquires-documentary-when-claude-got-shot-snoop-dogg-executive-producer/ Thu, 22 Sep 2022 23:27:53 +0000 https://iqchannels.com/freestyle-digital-media-acquires-documentary-when-claude-got-shot-snoop-dogg-executive-producer/ EXCLUSIVE: Freestyle Digital Media, the digital film distribution division of Byron Allen’s Allen Media Group, has acquired the North American VOD rights to the Emmy-winning documentary When Claude got shot. The film premiered at the 2021 SXSW Film Festival and made its television debut in May 2022 in PBS’s award-winning documentary anthology series Independent Lens. […]]]>

EXCLUSIVE: Freestyle Digital Media, the digital film distribution division of Byron Allen’s Allen Media Group, has acquired the North American VOD rights to the Emmy-winning documentary When Claude got shot. The film premiered at the 2021 SXSW Film Festival and made its television debut in May 2022 in PBS’s award-winning documentary anthology series Independent Lens. The documentary will be available for rental and ownership on North American HD digital internet, cable and satellite platforms on September 27 through Freestyle Digital Media.

When Claude got shot follows three strangers tragically bound together by gun violence and a five-year journey navigating a flawed justice system on the path to recovery and forgiveness. While visiting his hometown of Milwaukee, Claude Motley, father of three and aspiring lawyer, is shot in the face by 15-year-old Nathan King in a carjacking gone wrong. Two nights later, King attempts to rob Victoria Davison, who fires her gun in self-defense, partially paralyzing King from the waist down. For the next five years, When Claude got shot follows the story of three strangers brought together by a weekend of gun violence. At the center of this story is Motley and his arduous recovery, both physically and emotionally, as he persists through multiple surgeries, catastrophic healthcare bills and trauma. On his journey, Motley finds himself torn between King’s punishment and the injustice of mass incarceration that disproportionately affects black men and boys.

No More Deadline

When Claude got shot was produced by 371 Productions in association with Stick Figure Entertainment, Snoopadelic Films, the Independent Television Service (ITVS) and Black Public Media. The League is the impact producer for the film.

Why he decided to become an executive producer When Claude got shot, Snoop Dogg said: “I have been directly affected by gun violence through the deaths of friends and associates. I understand the pain that Claude and his family felt. I also understand that there are victims on both sides of the gun, including the young man who shot Claude. We need to invest in our young people. This is how we heal our society.

“Honestly, I wish I had never made this movie because it would mean my friend Claude would never have been shot,” said filmmaker Brad Lichtenstein. “But the reality is real, so I’m honored by the trust Claude had in me and the intimacy of cinema that our 20-year friendship has afforded – and I’m especially grateful that this wide distribution allows Claude more of share his story and humanity, because we must all do our part to radically reduce gun violence.

“I hope anyone who watches this movie changes their mind about the complexity of gun violence,” says Claude Motley. “I learned that gun violence does not begin or end with a single bullet. Its impact is not just limited to the person who was at the other end of the barrel. The impact of armed violence is profound. For so many people, especially among communities of color, it is the catalyst for generations of ongoing trauma. Only when we can bring compassion and empathy to the subject and humanize the problem can we act with passion to solve the problem. This story is not just my story. It’s the story of thousands of people across the country who get shot every week, every month, and go through the exact same things I did. »

Freelance Digital Media negotiated the acquisition agreement When Claude got shot directly with Stick Figure Entertainment’s Jamie Schutz.

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SKKN BY KIM Launches First 3D Digital Media Campaign at Westfield World Trade Center https://iqchannels.com/skkn-by-kim-launches-first-3d-digital-media-campaign-at-westfield-world-trade-center/ Wed, 21 Sep 2022 15:30:00 +0000 https://iqchannels.com/skkn-by-kim-launches-first-3d-digital-media-campaign-at-westfield-world-trade-center/ NEW YORK–(BUSINESS WIRE)–Unibail Rodamco Westfield (URW), the dynamic global developer and operator of Westfield shopping centers in the United States, in partnership with SKKN BY KIM, an innovative line of care without compromise developed by Kim Kardashianto launch the first 3D digital media campaign on the Oculus 100m screen in Westfield World Trade Center. “With […]]]>

NEW YORK–(BUSINESS WIRE)–Unibail Rodamco Westfield (URW), the dynamic global developer and operator of Westfield shopping centers in the United States, in partnership with SKKN BY KIM, an innovative line of care without compromise developed by Kim Kardashianto launch the first 3D digital media campaign on the Oculus 100m screen in Westfield World Trade Center.

“With commuters and shoppers returning to the World Trade Center campus, it’s the perfect time to bring the latest digital media to the iconic Oculus display with a true icon herself, Kim Kardashian,” said Colin Shaughnessy, Executive Vice President and Director of US Sales for URW. “While we’ve helped a number of luxury brands tap into our audience in one of New York’s largest transportation hubs, we’re thrilled that SKKN BY KIM is the first to use the power of the Westfield network to reach and engage consumers in this dynamic and highly engaging way.

The campaign captures consumers as they walk the full length of the 100-meter screen with compelling video footage of Kim Kardashian alongside her product line. Three-dimensional effects were applied to images of the scrub, eye cream and face cream to create the illusion of the products popping out of the screen for a high-impact virtual sampling moment.

The SKKN BY KIM 3D digital media campaign is currently running in the Oculus until October 16th. URW and the luxury skincare brand will continue their partnership with the opening of a SKKN BY KIM pop-up store in Westfield Century City in Los Angeles just in time for the holidays. The store will be SKKN BY KIM’s first physical outlet and will feature a curated selection of products perfect for gift giving.

URW’s US Media & Experiential division continues to deliver exceptional brand experiences rooted in innovation through its owned and operated industry-leading digital advertising network in major media markets. Lower Manhattan is connected by 72 high-impact screens through Westfield World Trade Center and Fulton Center; among these, the iconic 100 meter screen. The Westfield network has over 400 additional screens in 16 flagship retail destinations, equipped with anonymized video analytics (AVA) that provide real-time campaign insights, transparent audience measurement and specific performance data to creations. For brands looking to invest in the latest digital media technologies and amplify their message, please contact uswbvcreative@urw.com.

About Unibail-Rodamco-Westfield

Unibail-Rodamco-Westfield is a dynamic global developer and operator of flagship destinations, with a portfolio valued at 55.0 billion euros as of June 30, 2022, including 87% retail, 6% office, 5% convention and entertainment. exhibitions and 2% in services. Currently, the Group owns and operates 82 shopping centers, including 53 Flagships in the most dynamic cities of Europe and the United States. Present on two continents and in 12 countries, Unibail-Rodamco-Westfield offers a unique platform to retailers and brand events and offers an exceptional and constantly renewed experience to its customers.

With the support of its 2,700 professionals and unparalleled experience and know-how, Unibail-Rodamco-Westfield is ideally positioned to generate superior value and develop world-class projects.

Unibail-Rodamco-Westfield stands out for its Better Places 2030 program, which sets out its ambition to create better places that meet the highest environmental standards and contribute to better cities.

The Unibail-Rodamco-Westfield stapled shares are listed on Euronext Amsterdam and Euronext Paris (Euronext ticker: URW), with a secondary listing in Australia via Chess Depositary Interests. The Group has a BBB+ rating from Standard & Poor’s and a Baa2 rating from Moody’s.

For more information, visit www.urw.com

Visit our media center at https://mediacentre.urw.com

Follow the Group’s news on Twitter @urw_groupLinkedIn @Unibail-Rodamco-Westfield and Instagram @urw_group

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Digital media revenues remain high despite slowing growth rate, says OAREX https://iqchannels.com/digital-media-revenues-remain-high-despite-slowing-growth-rate-says-oarex/ Wed, 21 Sep 2022 10:57:00 +0000 https://iqchannels.com/digital-media-revenues-remain-high-despite-slowing-growth-rate-says-oarex/ OAREX Q2 2022 Digital Media Revenue Report Reveals Slowdown, But Median Revenue of Publicly Listed Digital Media Companies Grows 19% Year Over Year We produced the report to provide a more balanced view of the digital media industry… 81% of our sample saw revenue growth, and many were in double digits. — Nick Carrabbia, Executive […]]]>

OAREX Q2 2022 Digital Media Revenue Report Reveals Slowdown, But Median Revenue of Publicly Listed Digital Media Companies Grows 19% Year Over Year

We produced the report to provide a more balanced view of the digital media industry… 81% of our sample saw revenue growth, and many were in double digits.

— Nick Carrabbia, Executive Vice President at OAREX

CLEVELAND, OHIO, USA, Sept. 21, 2022 /EINPresswire.com/ — OAREX, the fast and flexible financing provider for digital media companies, today announced the release of its Digital Media Revenue Report of the second quarter of 2022, which reveals second quarter revenues of publicly traded U.S. digital media companies and overall performance compared to previous quarters. The report shows that although there is an overall slowdown in digital media revenues, companies are still reaching pre-pandemic revenue levels.

The report assessed data from publicly traded companies that primarily derive revenue from digital media operations and that were underwritten by the OAREX Credit Team. To ensure the data reflects true industry performance and isn’t overtaken by industry giants, the report does not include some of the biggest AdTech companies such as Google, Meta and Twitter.

The analyzed data revealed the following information:

– With median company growth of 19% YoY, revenue growth slowed but remained strong compared to pre-covid performance
– 81% of companies surveyed saw an increase in revenue, higher than most quarters prior to 2021
– The broader digital media industry outperforms “Big AdTech” companies (such as Google, Meta, Snap and Twitter)

Additionally, the analysis indicates that the unprecedented revenue comparisons seen during the pandemic are impacting growth expectations. In the second quarter of 2020, revenues fell due to Covid. In the second quarter of 2021, revenues crushed year-on-year growth expectations as the economy was flooded with liquidity and conditions began to improve. Today, as liquidity dries up and conditions return to normal, companies are unable to maintain these parabolic expectations. Therefore, this three-year data set may not be indicative of true business growth. Instead, these swings could be attributed to the cyclical effect of the economy and companies playing “catch up” and then normalizing.

“Recent press has reported that many large advertising companies are struggling,” said Nick Carrabbia, executive vice president of OAREX, when discussing the second quarter 2022 data and report insights. “We produced the report to provide a more balanced view of the digital media industry. Yes, Meta and Twitter saw revenue decline 1% year-over-year, while Snap and Google saw marginal gains and missed revenue. However, 81% of our sample saw revenue growth, and many of them were in the double digits. »

While 2022 isn’t over yet, stepping back to look at the industry with a broader lens and not focusing on the giants can offer a more authentic insight into how companies in this sector are performing and the potential for future growth. .

This report comes on the heels of the OAREX Semi-Annual 2022 Digital Media and Ad Payments Report, which provides data and trends in the digital ad payment space. OAREX will release the next Digital Media Revenue report in early 2023.

About OAREX Capital Markets, Inc.

OAREX, the Online Advertising Revenue Exchange, operates a digital revenue exchange where digital media companies can exchange future revenue payments for capital now. Founded in 2013, OAREX has become a global leader in financing digital media companies. East West Bank’s investment in OAREX is a testament to its model and the digital media industry as a whole. Visit oarex.com for more information or visit go.oarex.com to open an account.

Jen Crompton
WIT Strategy
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Digital Media Receivers Market Growth, Size, Analysis, Outlook https://iqchannels.com/digital-media-receivers-market-growth-size-analysis-outlook/ Wed, 21 Sep 2022 06:26:00 +0000 https://iqchannels.com/digital-media-receivers-market-growth-size-analysis-outlook/ Digital Media Receiver Market The global digital media receiver market is estimated to grow by 6.3% during the forecast period from 2022 to 2030. The market has been growing at a steady rate during the previous forecast period. In the previous forecast year, the market has witnessed a downturn due to the pandemic situation, and […]]]>

Digital Media Receiver Market

The global digital media receiver market is estimated to grow by 6.3% during the forecast period from 2022 to 2030. The market has been growing at a steady rate during the previous forecast period. In the previous forecast year, the market has witnessed a downturn due to the pandemic situation, and therefore, a majority of countries are still in the recovery stage after heavy damage and are far from achieving real reprise.

Global supply chain disruptions, geopolitical tensions, fluctuating energy prices, local labor shortages and rising commodity prices are likely to impact growth market during the forecast period.

Asia is expected to become the fastest growing region in the world in 2022. The Asia-Pacific countries of India and China are estimated to dominate the market during the forecast period.

In 2022, major economies such as the United States, Europe and China are expected to put in place more favorable policies to drive the development of the switching power supply industry.

Scientific and technological innovation, economic and social digitalization, and green development are the factors that are likely to drive the growth of the market over the forecast period.

Main market trends
Global supply chain disruptions, geopolitical tensions, fluctuating energy prices, local labor shortages and rising commodity prices are likely to impact growth market during the forecast period. Asia is expected to become the fastest growing region in the world in 2022. Asia-Pacific countries such as India and China are estimated to dominate the market during the forecast period.

In 2022, major economies such as the United States, Europe and China are expected to put in place more favorable policies to drive the development of the switching power supply industry.

Get a free sample report: https://wemarketresearch.com/sample-request/digital-media-receivers-market/380/

Market segment analysis

By type
• USB inputs
• Auxiliary inputs
• Bluetooth connectivity
USB inputs are estimated to drive the market growth over the forecast period.

By request
• Car
• Others
The automotive segment is estimated to drive the growth of the market over the forecast period.

China will dominate the global digital media receiver market throughout the forecast period
Asia is expected to become the fastest growing region in the world in 2022. The Asia-Pacific countries of India and China are estimated to dominate the market during the forecast period. During the forecast period, major economies such as the United States, Europe, and China will introduce more favorable policies to drive the development of the Switching Power Supply industry.

Competitive landscape
Some of the major companies operating in the market are
• Kenwood
• Power Acoustics
• Pioneer
• Audio BOSS
•Sony
• JVC
• Alpine
• Mo Quarter
• Sound stream
• Memphis car radio
• Audio Planet

Get more details about this report:- https://wemarketresearch.com/reports/digital-media-receivers-market/380/

Frequently Asked Questions
• What is the growth rate of the global digital media receiver market?
• What are the main determinants of market growth?
• What are the major regions that make up the geographic landscape of the market?
• What are the main companies operating in the market?

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This press release was published on openPR.

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Asia-Pacific sees increased hiring in automotive industry digital media positions https://iqchannels.com/asia-pacific-sees-increased-hiring-in-automotive-industry-digital-media-positions/ Tue, 20 Sep 2022 14:18:13 +0000 https://iqchannels.com/asia-pacific-sees-increased-hiring-in-automotive-industry-digital-media-positions/ Asia-Pacific was the fastest growing region for digital media hiring among automotive companies in the three months to July. The number of jobs in Asia-Pacific accounted for 22.8% of total digital media jobs, up from 17.2% in the same quarter last year. This was followed by North America, which saw a year-over-year change of -0.4 […]]]>

Asia-Pacific was the fastest growing region for digital media hiring among automotive companies in the three months to July.

The number of jobs in Asia-Pacific accounted for 22.8% of total digital media jobs, up from 17.2% in the same quarter last year.

This was followed by North America, which saw a year-over-year change of -0.4 percentage points in digital media roles.

The figures are compiled by GlobalData, which tracks the number of new job postings from key companies in various sectors over time. Using textual analysis, these job postings are then categorized by topic.

GlobalData’s thematic approach to industry activity aims to group key company information by topic to see which companies are best positioned to weather the coming disruptions in their industries.

These key themes, which include digital media, are chosen to cover “any issue that keeps a CEO up at night.”

Tracking them through job postings allows us to see which companies are leading the way on specific issues and which are dragging their feet – and more importantly where the market is growing and contracting.

Which countries are experiencing the fastest growth in digital media jobs in the automotive industry?

The fastest growing country was India, which recorded 10.1% of all digital media job openings in the three months to July 2021, rising to 16% in the three months ending in July this year.

Next come France (up 0.7 percentage points), the United Kingdom (0.3) and China (-0.0999999999999996).

The top country for digital media jobs in the automotive industry is the United States, which saw 27.4% of all advertised jobs in the three months ending July.

What are the most important cities and locations for digital media workers in the automotive industry?

Some 7.9% of all automotive industry digital media roles were advertised in Krakow (Poland) in the three months to July.

Then come Chennai (India) with 6.9%, Chihuahua (Mexico) with 4.2% and Troy (United States) with 3.7%.

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North America Sees Increased Hiring in Payments Industry Digital Media Positions https://iqchannels.com/north-america-sees-increased-hiring-in-payments-industry-digital-media-positions/ Tue, 20 Sep 2022 11:00:25 +0000 https://iqchannels.com/north-america-sees-increased-hiring-in-payments-industry-digital-media-positions/ North America extended its digital media hiring dominance among payments companies in the three months to July. The number of roles in North America accounted for 62.4% of total digital media employment, up from 61.9% in the same quarter last year. This was followed by Europe, which saw a -0.1 percentage point year-on-year change in […]]]>

North America extended its digital media hiring dominance among payments companies in the three months to July.

The number of roles in North America accounted for 62.4% of total digital media employment, up from 61.9% in the same quarter last year.

This was followed by Europe, which saw a -0.1 percentage point year-on-year change in digital media roles.

The figures are compiled by GlobalData, which tracks the number of new job postings from key companies in various industries over time. Using textual analysis, these job postings are then categorized by topic.

GlobalData’s thematic approach to industry activity seeks to group key company information by topic to see which companies are best positioned to weather the coming disruptions in their industries.

These key themes, which include digital media, are chosen to cover “any issue that keeps a CEO up at night.”

Tracking them through job postings allows us to see which companies are leading the way on specific issues and which are dragging their feet – and more importantly where the market is growing and contracting.

Which countries are experiencing the fastest growth in digital media jobs in the payment industry?

The fastest growing country was Canada, which saw 17.2% of all digital media job openings in the three months ending July 2021, rising to 18.1% during for the three months ending July this year.

Next come India (up 0.5 percentage point), France (0.3) and Austria (0.1).

The top country for digital media roles in the payments industry is the United States, which saw 44.4% of all advertised positions in the three months ending July.

Which cities and locations are the biggest hubs for digital media workers in the payment industry?

Some 4.4% of all payment industry digital media roles were advertised in Toronto, Canada in the three months to July.

This is followed by Charlotte (United States) with 2.9%, London (United Kingdom) with 2.8% and Singapore (Singapore) with 2.7%.

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